‘Emperors & Generals’ Ginko
December 11th, a torrential downpour. The following morning, however, a bright sunny start to the day. Six haiku poets set out with fresh hearts ready to pen their thoughts on a walk that would traverse the course of centuries: the route from Tambabashi to Fushimi Momoyama took in the burial mounds of the first and last emperors to be associated with Kyoto, and two shrines with imperial connections. It normally takes an hour and a half; the Hailstones managing to spin it out to five hours, with two participants even staying on a while longer in a saké bar.
There are few visitors to Kammu’s grave, yet the founder of Kyoto surely deserves recognition for the extent of his historical legacy. For lovers of the city this is an awe-inspiring spot, and by the side we found a persimmon tree laden with fruit, as if in honour. Nearby, the tower of the rebuilt castle of Hideyoshi’s time could be seen through the trees. Kammu’s grave, like other imperial mounds, typifies the blending of ancestral worship and animism that form the twin pillars of Shinto. Through placing the corpse in the earth, the deceased evolves into the landscape, and the imperial spirit is transformed into a true ‘spirit of place’.
The sound of birdsong
On the green moss path
Autumn leaves spotlighted
By morning sunshine
From Kammu’s grave it’s a short walk through pleasant woods to the burial mound of Emperor Meiji. Here is evident the pomp and glory of State Shinto, as the Restored Emperor at the centre of the Meiji regime was given a full-scale burial designed to impress. You only have to stand at the bottom of the huge stairway leading up to the shrine to appreciate the grandeur. As Mutsuhito, he was the last emperor to be born in the city, and the last who could be considered a Kyoto man. His father died when he was 14, making him emperor; he was ‘restored to power’ at the age of 15; he shifted the capital to Tokyo and married at 16. Quite a start to life! Meiji was something of a poet, and after paying respects at the grave of his father, Emperor Komei, he penned the following:
Visiting the family tombs
On my baggy sleeves
Old pine needles, cast off,
Out of view, and discretely located to one side, is the burial mound of Meiji’s chief wife, Empress Shoken, who died two years later. She had no children of her own, whereas her husband had fifteen by his concubines, or official mistresses. So she adopted the son of one of the other ‘wives’ and brought him up as heir apparent (later to become Emperor Taisho).
Not far away from the imperial mounds is the shrine of Meiji’s devoted servant, General Nogi, who served as governor of Taiwan. He was the last person (together with his wife) to commit junshi, ritual suicide to follow one’s master into death. After distinguished service against the Chinese in 1894, he was made commander of the forces who took Port Arthur from the Russians a decade later, thus helping cement victory against the Europeans in the 1904-5 war. He was appalled, however, at the loss of life of those under him and sent a letter to the Emperor requesting permission to commit suicide. Though the request was refused, he and his wife felt obliged to take their lives in 1912 immediately following the funeral of Emperor Meiji. Some praised him highly for loyalty and devotion; others saw it as a retrograde act of feudalism.
…. After stories of war
…. At the General’s shrine,
…. Free tangerines.
…. – Tito
Gokonomiya is not one of the better-known shrines of Kyoto, though in any other town it would certainly be a focus of attention. Said to have been built on the site of an imperial villa, the connection is further reflected in its enshrined deities, the Empress Jingu and her son, Emperor Ojin (also known as Hachiman). Spring water with a particularly fresh aroma gushed out of the earth here in 863 – hence the name ‘Shrine of Fragrance’. The water is treasured by parishioners, who bottle it for home consumption.
The haiku poets were able to find a condusive corner of the shrine in which to compare their writings for the day, perched on large rocks taken from the remains of Hideyoshi’s castle. As the sun went down on what had been a fine outing blessed with good weather, we were able to pick over what we had gathered from the day.
Late autumn –
Into the vermilion torii
At Gokonomiya, we happened on a haiku monument bearing poems by both Basho and Kyorai. Though none of us could decipher the cursive writing, a check on the Internet later revealed what was inscribed.
Scent of apricot blossom –
Suddenly the sun comes up
On the mountain road.
This was written by Basho in Fushimi in 1694, the year of his death. The second haiku on the Gokonomiya stone was by Kyorai (both Eng. trans. by SHG).
‘Alright, alright!’ I shout,
But the knocking goes on
At the snow-cloaked gate.
Report by John D. and Mayumi K.