Archive for April, 2018

April Fools’ Day Tea Party

Posted in Event report, Radio, Spring with tags , on April 30, 2018 by kibiakira

Proclaiming the dawn
of April Fools’ Day
a bluebird* on the roof! ……………….. Tito

Lured by a spring breeze and white cotton clouds in the blue sky above, we gathered at Oyamazaki Station and set off on a composition stroll.

The old brown teahouse wall—
blossom in the wet stone basin ……………….. Richard

We started by visiting Myōki-an, a Zen temple said to have been built on the site of the hermitage of Yamazaki Sōkan, a great haiku poet of the Muromachi Period, and one of the founders of haikai-no-renga. Kneeling in the tatami-mat room, the priest welcomed us and briefed us about the temple itself and the tea room named ‘Taian’, designed by the fountainhead of the Japanese tea ceremony, Sen no Rikyū. Bashō admired both Sōkan and Rikyū. Oyamazaki is also well-known as the site of a famous battle between Toyotomi Hideyoshi and Akechi Mitsuhide. The victor, Hideyoshi, who soon had himself installed as a virtual King of Japan, had been invited more than once to Taian, where Rikyū himself had served tea for him and his subordinate samurais. There, he must have looked upon its slanting ceilings, walls hiding pillars, shitaji-mado (skeleton window), and eaves without gutters allowing rain to fall from the roof as a curtain: tea master Rikyū’s small universe. Each time the master invited guests, it was meant to be for all a fresh, once-in-a-lifetime encounter (ichigo-ichie), never to be staged again. This, we understood, was the essence of Rikyu’s chakai (tea meet).

Spring shade:
a two-tatami tea-room became
a work by Mondrian ……………….. Tomiko

We had lunch in a cozy local restaurant, “Tabitabi,” enjoying the reunion of haiku friends and their families, which included Lawrence (Jiko) and Isabel’s 6-month-old son, Taiyo.

The Easter hare …
see how she leaps
over cherry clouds ……………….. Jiko

Rubbing cheeks,
her grandson looking up …
a cherry-petal blizzard! ……………….. Shigeko

Afterwards, we strolled up the early spring lane to the Asahi Oyamazaki Sansō, where we enjoyed composing haiku in its cherry-blossom water garden and in the mock Tudor main house museum with its exhibition of ceramics by Shōji Hamada.

“Good morrow!”
the greeting came from the ground—
sun-lit periwinkle ……………….. Akira

Red passion
tulip growing—
a mother’s love ……………….. Isabel

Floating petals—
the carp, too
are cherry blossom viewing ……………….. Jiko

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The museum has a third floor terrace with panoramic view northeastwards toward Kyoto. In the middle distance, we perceived a veil of cherry blossoms extending along the river, “Sewari-no-sakura,” which some of us subsequently visited for an evening stroll.

From Sewari’s cherry-trees
petals fall as a blizzard—
our April Fools’ Day stroll  ……………….. Kyoko

Petal waves
blowing down
from mountain to river—
a transient delight  ……………….. Mayumi

There, on the terrace, over cups of English tea and cakes, occasionally visited by a spring zephyr, the fourteen of us shared and discussed the haikus we had made. One of these (given below) was subsequently broadcast (April 18) on B.B.C. Radio Four’s arts magazine show, Front Row. Listen here:  https://www.bbc.co.uk/programmes/b09z1d9t (below the photo, click “Chapter: Japanese Cherry Blossom” to go straight to the haiku section)

Wishing the cherry petals
to fall to rest …
on the baby’s eyes ……………….. Tito

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Persimmons – part 4

Posted in Autumn, Japanese Classic, Tanka with tags , on April 25, 2018 by sosui

. At this point I should like to turn to the subject of how persimmon was treated in literature. Persimmon seeds have been dug up from some archaeological sites of the Jomon period. So I believe that persimmon trees must have existed in Japan long before the Man’yo period, yet the Man’yoshu has no poems about persimmons. Judging from his name, the poet Kakinomoto Hitomaro (柿本人麻呂, fl. ca. 680 during the reign of Emperor Tenmu), lived in a house standing beneath a persimmon tree. But he is silent about his persimmon tree. In the Kamakura period, Fujiwara no Tame’ie (藤原為家, 1198~1275) wrote the following poem:
……………………………… Autumn has arrived.
……………………………… I wonder about the leaves
……………………………… On higher mountains.
……………………………… Our garden persimmon trees
……………………………… Display deeply coloured leaves
. I like this poem because the poet expresses his concern for the leaves in the high mountains. He is wondering whether they have taken on their autumn hues like the persimmon trees in his garden, or whether they have already been scattered by the wind. Probably the latter was the case, and if so, he may have been equally concerned about the persimmon trees in his garden. In the Edo period, Ozawa Roan (1723~1801), who stood for tadagoto-uta (honest poetry), wrote the following poem about persimmons:
……………………………… Chestnuts are smiling.
……………………………… Persimmons are getting red.
……………………………… It is indeed time
……………………………… For short-haired children to be
……………………………… Proud, and enjoy the season.
. This poem is so cheerful that I cannot help laughing with the poet.

(To be continued…)

Genjuan International Haibun Contest 2018 Results

Posted in Haibun, News with tags , , on April 16, 2018 by Tito

グランプリ作品 Grand Prix 
The Forbidden Pet   (Branko Manojlovic, Japan)

庵賞作品 An (Cottage) Prizes
Way of Lilies   (Marietta McGregor, Australia)
Let there be Lightning   (Ignatius Fay, Canada)
Waiting for Christmas in Ohio   (Chris Bays, U.S.A.)

入選作品 Honourable Mentions
Lost   (Sean O’Connor, Ireland)
Brazilian Night   (Marina Bellini, Italy)
Red, Blue, White   (Dru Philippou, U.S.A.)
Coal Mines   (Beth A. Skala, Canada)
Flying   (Pearl Elizabeth Dell May, U.K.)
Reflections   (David McCullough, Japan)

審査委員   Judges
Nenten Tsubo’uchi, Stephen Henry Gill, Hisashi Miyazaki, Angelee Deodhar

Sincere thanks to all authors who sent in their haiku prose works: 133 in total from 15 countries. It is wonderful to find that this year’s Grand Prix winner is a member of our Hailstone Haiku Circle in Kansai, Japan – Icebox contributor Branko Manojlovic! Hearty congratulations. For the first time, the winner will actually be able to select from the Genjuan Prize folio the large and very fine ukiyo-e reproduction print he has won. Usually, we have to imagine what the particular author might like and airmail it in a super-large protective folder. The Forbidden Pet is a very fine piece, as indeed were all the Cottage Prize winning haibun. These four works are now available to read on a dedicated page on the Icebox and you can find out what sort of forbidden pet it is! Another of our contributors, David McCullough, has won an Honourable Mention. Ignatius Fay, who won a Cottage Prize two years ago, has done it again! Congratulations to all of our awardees.

Watch this space for further announcements about the anthology of awarded pieces 2015-17, to be published next month, and the shape of next years’s Contest.

Pointing the Lens

Posted in Haibun, Spring with tags , , on April 6, 2018 by David Stormer Chigusa

Work is work, except at lunchtime. And I have the good fortune of working near Ichigaya in Tokyo, meaning an early afternoon walk down there during the hanami season is like taking an exotic little vacation. I even take my camera, like a real tourist.

Brief blossom
at its height, gusts,
china blue sky

Many of the garish blue tarpaulins spread out on the banks of the Kanda River under blossom-laden branches are occupied by only one person, stationed to keep the spot for colleagues who will gather there later on. Some such lone employees are virtually still at work, hunched over a laptop. Others are not as diligent.

Just one petal
of the pink and white cascade
crowns the sleeper

Nearly all the cameras (smartphone and dedicated) capturing blossom shots are pointed sweetly and conventionally skyward. But over there is a blossoming branch, half in shadow, overhanging the dark, dank top of a shabby roadside waterworks bunker that’s strewn with just-fallen petals. I snap it. I get looks.

Chuckles for
pointing the lens
at where spring hides

hanami – cherry blossom viewing