Archive for the Event report Category

Okouchi Sanso Composition Strolls

Posted in Autumn, Event report, Haiku with tags , on October 5, 2019 by Tito

On September 14 & 28 吟行 ginko were held in the beautiful West Kyoto garden of 大河内山荘 Okouchi Mountain Villa. Paradoxically, the 14th was cooler than the 28th, but both days stayed fine and at least half a dozen Hailstone poets came along.

In the morning they had kindly helped the nature conservation NPO, People Together for Mt. Ogura, with their brushwood fence repairs in the bamboo groves on the hill’s lower slopes – right outside the Villa’s front gate. Its traditional Japanese-style garden was laid out in the Shōwa era by the film star, Ōkouchi Denjiro. Thank you to all the volunteers who came, even if perhaps not everyone managed to write poems afterwards.

Putting up a ladder
to an autumn cloud —
clasping it ………. (Tomiko Nakayama)

Tourist’s scribble*
on the bamboo cut down:
“I love you” ………. (Mayumi Kawaharada)

Collaboration eases
our bamboo forest work —
cool autumn breeze ………. (Akito Mori)

The conversation lulls —
a mantis
and a lizard
come out to talk ………. (Tito)

Retirement
for a samurai actor:
contemplating persimmons ……… (Sydney Solis)

Silent welcome
at the bamboo gate —
weather-beaten Buddha ………. (Ayako Kurokawa)

A big blue heart
cut out from the mackerel sky …
birds singing ………. (Mayumi Kawaharada)

One red maple leaf
in the chōzubachi* —
Mt. Ogura ………. (Sydney Solis)

From the moon-viewing platform:
over northern Ōmi*
a band of cloud, lit-up ………. (Tito)

Notes:
scribble 落書き – graffiti incised into the skin of a bamboo that had been growing near the path.
chōzubachi 手水鉢 – hand-washing basin, usually made of stone; this haiku may also be taken to allude to waka no. 26 小倉山峰のもみぢ葉 in the Ogura Hyakunin Isshū collection compiled in the early C13th by Fujiwara Teika in his villa at Mt. Ogura.
Ōmi 近江 – old name of Shiga prefecture, including all of Lake Biwa, at its closest 30 miles away; Bashō’s grave is located there.

Summer, in the shade

Posted in Event report, Exhibition, Summer with tags on August 26, 2019 by Mayumi Kawaharada

Summer exhibition —
the folks assemble
dressed in blue-and-white ….. (Tito)

On 18th August, a scorching day, a few Hailstones got together for an art exhibition 真夏の芸術祭 held at Galerie Aube inside Kyoto University of Art & Design, where one of our members, Yoshiharu Kondo, was showing his creations. There were about 100 pieces on display; the majority, paintings. We walked around, each person choosing one or two favourites:

A school of ceramic salmon —
an Ainu Upopo, now sung
at the art festival ….. (Yoshiharu)

Dandelion seeds
enlarged in the painting …
he fears they might assault him
at night! ….. (Keiko)

A big brown pot —
written right across its body
in replicated characters,
“Seven Gods of Good Luck” ….. (Yoshiharu)

Cinnamon  background;
the dark-amber skeletons of
Chinese lantern pods ….. (Ursula)

Pleasingly, we all fell in love with Yoshiharu‘s two pieces, a ceramic tsubo-daiko and a handmade storybook featuring his own haiku and tanka.

Summer, in the shade —
A bisque-fired drum
Resounds through the hall ….. (Mayumi K)

Clear Moon —
in his poem,
a villa for his students
who’ve passed away ….. (Keiko)

 

Glad to report that the subsequent mishap that befell one of our number has now resolved itself!

Calling and calling
my lost cell phone —
no reply ….. (Ursula)

Matsuzawa Pond Ginko-no-renga

Posted in Event report, Ginko-no-renga, Spring on May 20, 2019 by Gerald

 

 

click on the picture to read the renga

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Matsuzawaike Ginko-no-renga was organized, and hosted by Teruko Yamamoto in Ibaraki, Osaka. 14 people attended, including two from distant Shikoku. The stroll took place on 3/31, a day of mixed weather, and featured a walk along the bank of the Pond, stops at local shrines, and a visit to Tadao Ando’s famous Church of the Light 光の教会 .

Gerald Staggers (Duro; sabaki), Mizuho Shibuya (shuhitsu)

Haiga Walk – March 2019, Now Up!

Posted in Event report, Haiga, Haipho on March 29, 2019 by Gerald

Click on the page link marked ‘Haiga Walk – March 2019 (NEW!)‘ at top right to view Gerald’s illustrated report on the haiku sketching and painting outing held at the Four Seasons Hotel’s 800-year-old 積水園 Shakusui-en (garden pond) in Kyoto.

Hailstone’s 17th Autumn Haike: Mt Miwa and Tanzan Shrine

Posted in Autumn, Event report, Walking with tags on November 11, 2018 by William

Oct. 13, 2018 – Mt. Miwa 三輪山

After a box lunch taken in the harvest rice-fields near Omiwa Shrine 大神神社 and a visit to Omononushi’s ancient cryptomeria in the main compound, the five poets intending to scale Mount Miwa (467m, to the north of Sakurai) have first to obtain permission at Sai Jinja 狭井神社. They are issued with a route map and pilgrims’ garlands to wear around their necks, each supporting a small bell that jingles all the way up to the summit. All pledge to remain silent throughout the climb. Tito decides to climb barefoot. Here are a few of the haiku from this first day.

Snake God Tree:*
searching through my pockets
for raw egg offering
………………………… Branko

“Komorebi!”*
pointing and whispering
to his wife —
his tree enlightenment!
………………………… Richard

To my sweating forehead
a splash of waterfall —
just halfway to the top
………………………… Kyoko 

My vow of silence,
severely tested on the climb
by an English-speaking man!
………………………… Tito

The rock sanctuary:
one family clapping hands in unison,
a lone woman staring faraway
………………………… Kyoko

Pilgrim’s bare feet
imprinting the mud …
unspoken words
………………………… Branko

Miwa —
blue light
shining from a black leaf
on the forest floor
………………………… Tito

After the descent, talk resumes at Hibara Jinja* 檜原神社 a little way along the Yamanobe Old Path. Later that evening, at Wakaba Minshuku*, haiku are shared, appreciated, rejected, and occasionally reworked, until the wine is drunk and midnight has long passed.

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Oct. 14, 2018 – Mt. Goharetsu 御破裂山

Two poets return home, but another joined the haike last night. It’s a cool, early autumn morning and four poets are searching for a path over Mount Goharetsu* (610m). Their destination is Tanzan Shrine 談山神社 and its annual “Kakitsusai” 嘉吉祭 harvest festival, which is due to start in a few hours.

Cloud shrouds the peaks
above the plains of Asuka —
a lone kite circling
………………………… Richard

Fields of golden rice
ready for harvesting —
ancient village, unchanged
………………………… Kyoko

The autumn butterfly —
how prim and proper
its ribbon ties!
………………………… Tomiko

The persimmon farmer talks
of a typhoon-damaged slope:
Mt. Katsuragi*
wreathed in mist
………………………… Tito

Their route takes them through the streets of Asuka 明日香 into its eastern foothills, past locals tending their crops, and up into the tall, straight trunks of cypress and cedars growing on the mountainside.

Another step
on rising earth,
interrupted —
span of silver thread
………………………… William

The entomologist —
showing us his bagged live specimens
in a dreary wood
………………………… Tito

The trees close in and
catch our voices — their reply
a soft mockery
………………………… William

They reach Tanzan Shrine, a burst of Japanese architecture, and find the festival’s main ritual is already underway. Removing their shoes, they shuffle quietly into one wide room—open at the back to a sunlit veranda hung with iron lanterns—and join the worshippers. To the shrill accompaniment of gagaku*, many elaborate displays of fruits and vegetables are brought out from deep within the shrine, carefully passed from priest to priest. A glimpse is had of a statue of the enshrined deity, Fujiwara no Kamatari*, whom the festival honours.

The Shinto priest:
a single green pepper
atop his chestnut offering
………………………… Richard

For another year
priest pulls the curtain down
on the clan divinity —
his long, plaintive wail
………………………… Tito

The festival complete, our pilgrims head back into the sun, retrieving lunch boxes from their backpacks.

tier upon tier,
the surrounding trees are touched
by new scarlet
………………………… William

The summit of Goharetsu is attained after a further short climb. To where next year?

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* Notes
Haike – haiku hike
Snake God Tree – an ancient sugi (cryptomeria) thought to be a yorishiro (conductor) for Okuninushi, who comes in the form of a snake
komorebi – sunshine filtered through branches
Hibara Jinja – a Shinto compound lacking any hall for its divinity, Amaterasu, and thought to be the first Ise Shrine
Wakaba Minshuku – a rustic inn beside Okadera Temple in Asuka
Mt. Goharetsu – to the southeast of Asuka, part of which is commonly referred to as “Tonomine”
Mt. Katsuragi – a peak (959m) to the west of Asuka famed as the haunt of the C7th mystic, En no Gyoja
gagaku – ancient court music, featuring reeds and pipes
Fujiwara no Kamatari – instigator of the Taika Reforms in C7th and founder of the Fujiwara clan

Gion Festival Reading and Ramble

Posted in Event report, Reading, Summer with tags on August 9, 2018 by Mayumi Kawaharada

Late afternoon, 21 July 2018. A dozen Hailstones fell together for a reading in the Museum of Kyoto’s Maeda Café, which used to be a vault of the Bank of Japan, Kyoto branch. At a long table, we took it in turns to read our own, or others’, haibun or haiku sequences.

The programme was:
Branko Manojlovic, 2018 Genjuan GP haibun The Forbidden Pet
Ursula Maierl, haiku Mantis Yoga (from Lost Heian) & sequence Aftershock
Eiko Mori reading David McCullough’s 2018 Genjuan HM haibun Reflections
Mayumi Kawaharada reading Doris Lynch’s 2017 Genjuan GP haibun Season of Snow & Milk
Ayako Kurokawa, haibun Boomerang in the Blue Sky
Hitomi Suzuki, haibun Lanterns on the Water
Kazue Gill reading Tito’s haibun A Scottish Journey
Tito, haiku sequence Roller Coaster (using work by 15 poets; see previous posting)
Four others were present, but did not read.

Evening. After the Café meet was over, most participants went for a short ginko (composition stroll) to enjoy the spectacle of the huge festival yama and hoko floats parked in the nearby streets and lit with tiers of lanterns. Some private houses had opened their windows and doors so that all could see the treasures inside. There were several small shrines to visit down narrow alleys. The Gion Ato-matsuri proved much less busy than the main Saki-matsuri and therefore more conducive to haiku-senryu composition! Many people wore yukata.

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A small sample of the verse that emerged:

Innocent girls chant
a song about their folk talismans –
Gion Festival eve              ………..   (Hitomi)

Divine emissaries*
watching over the Festival crowds –
that pair of turtle doves    ……….. (Mayumi)

Flute players tonight
nearly two stories high
on the deck* of an ancient float       (Duro)

Exploding
earth sensation
of the taro* in my mouth –
a dinner with friends                    ..  (Tito)

.

* emissaries, 使い tsukai messengers of the warriors’ god, Hachiman
* deck, 大船鉾 ofuna-boko boat-shaped float
* taro, 里芋 sato-imo potato variety

April Fools’ Day Tea Party

Posted in Event report, Radio, Spring with tags , on April 30, 2018 by kibiakira

Proclaiming the dawn
of April Fools’ Day
a bluebird* on the roof! ……………….. Tito

Lured by a spring breeze and white cotton clouds in the blue sky above, we gathered at Oyamazaki Station and set off on a composition stroll.

The old brown teahouse wall—
blossom in the wet stone basin ……………….. Richard

We started by visiting Myōki-an, a Zen temple said to have been built on the site of the hermitage of Yamazaki Sōkan, a great haiku poet of the Muromachi Period, and one of the founders of haikai-no-renga. Kneeling in the tatami-mat room, the priest welcomed us and briefed us about the temple itself and the tea room named ‘Taian’, designed by the fountainhead of the Japanese tea ceremony, Sen no Rikyū. Bashō admired both Sōkan and Rikyū. Oyamazaki is also well-known as the site of a famous battle between Toyotomi Hideyoshi and Akechi Mitsuhide. The victor, Hideyoshi, who soon had himself installed as a virtual King of Japan, had been invited more than once to Taian, where Rikyū himself had served tea for him and his subordinate samurais. There, he must have looked upon its slanting ceilings, walls hiding pillars, shitaji-mado (skeleton window), and eaves without gutters allowing rain to fall from the roof as a curtain: tea master Rikyū’s small universe. Each time the master invited guests, it was meant to be for all a fresh, once-in-a-lifetime encounter (ichigo-ichie), never to be staged again. This, we understood, was the essence of Rikyu’s chakai (tea meet).

Spring shade:
a two-tatami tea-room became
a work by Mondrian ……………….. Tomiko

We had lunch in a cozy local restaurant, “Tabitabi,” enjoying the reunion of haiku friends and their families, which included Lawrence (Jiko) and Isabel’s 6-month-old son, Taiyo.

The Easter hare …
see how she leaps
over cherry clouds ……………….. Jiko

Rubbing cheeks,
her grandson looking up …
a cherry-petal blizzard! ……………….. Shigeko

Afterwards, we strolled up the early spring lane to the Asahi Oyamazaki Sansō, where we enjoyed composing haiku in its cherry-blossom water garden and in the mock Tudor main house museum with its exhibition of ceramics by Shōji Hamada.

“Good morrow!”
the greeting came from the ground—
sun-lit periwinkle ……………….. Akira

Red passion
tulip growing—
a mother’s love ……………….. Isabel

Floating petals—
the carp, too
are cherry blossom viewing ……………….. Jiko

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The museum has a third floor terrace with panoramic view northeastwards toward Kyoto. In the middle distance, we perceived a veil of cherry blossoms extending along the river, “Sewari-no-sakura,” which some of us subsequently visited for an evening stroll.

From Sewari’s cherry-trees
petals fall as a blizzard—
our April Fools’ Day stroll  ……………….. Kyoko

Petal waves
blowing down
from mountain to river—
a transient delight  ……………….. Mayumi

There, on the terrace, over cups of English tea and cakes, occasionally visited by a spring zephyr, the fourteen of us shared and discussed the haikus we had made. One of these (given below) was subsequently broadcast (April 18) on B.B.C. Radio Four’s arts magazine show, Front Row. Listen here:  https://www.bbc.co.uk/programmes/b09z1d9t (below the photo, click “Chapter: Japanese Cherry Blossom” to go straight to the haiku section)

Wishing the cherry petals
to fall to rest …
on the baby’s eyes ……………….. Tito