Archive for the Haibun Category

Genjuan International Haibun Contest 2019 – deadline approaches!

Posted in Challenge!, Haibun with tags , on January 9, 2019 by Tito

Three more weeks till the deadline for entries into this year’s Genjuan International Haibun Contest. Details here. The office is usually lenient with entries arriving a few days late. The three judges include newly-appointed Toru Kiuchi, Vice Director of the International Division at the Museum of Haiku Literature. They will read your works without knowing authors’ identities and will be looking for haikai style, best understood by reading examples. Check out our haibun pages through the page links at top right. Click the hailstones ‘Icebox’ header photo to return to this top page anytime. Good luck!


from the Icebox inbox – 43

Posted in Autumn, Haibun, Poem, Submissions with tags , on December 9, 2018 by Tito

Haibun: Offerings

Nicole Hague-Andrews

.. The trolls at Fowlmere live under the bridges, and sometimes under the boardwalks that meander through the marshy reed beds. They live in the damp, shady places, loathing the sunlight and will eat you if you don’t answer their questions correctly or give them the gifts that they ask for. Fortunately, there are many opportunities to appease them in order to cross their bridges to safety. They ask us what our favourite colours are (which we have rehearsed well beforehand); sometimes they ask for leaves or berries, sticks, songs, poems or numbers. They are as fickle as the wind and the rain.

circling the gunnera*
two feet wide

.. At the old watercress beds, the pump galoops water… and our dresses are wet to the knees. The trolls won’t eat the spicy, bitter watercress, but we like it with our apples and crackers. The chalk-bed stream water is so clear that Ophelia floats by on luminous weeds, as we throw blackberries on her and the silky, seed-expanded heads of reeds.

dried-up reed beds:
from the hide
Florence blows shut
the windows

.. We are becoming familiar with the different families of trolls: some are nicer than others, can even be experienced as kind. We try to understand their natures. Still, we are left alone to climb trees and make dens.

from the bridge
half a yellow leaf
… floats by

* gunnera – giant rhubarb

Poem: Voici

Serge Saunière

Voici ces quelques photos des deux jours passés prés de vous.
Ciel bleu et soleil pour nous accompagner.
Souvenirs escarpés et quelques pierres de plus sur mes étagères.
Un bonsaî genévrier qui respire à nouveau.
Basho au cours de l’eau.
Le désir de vous revoir.

Here are some pictures of the two days spent with you.
Blue sky and sun to accompany us.
Steep memories and some more stones now on my shelves.
A juniper bonsai that breathes once more.
Basho over the water.
The desire to see you again.

Genjuan International Haibun Contest 2019: submissions, new judge, new book

Posted in Challenge!, Haibun, Submissions with tags , on October 12, 2018 by Tito

The Genjuan Contest office is now open to receive your submissions for 2019. Closing deadline will be 31 Jan. (although a day or two beyond is usually OK).

Last year, three of four judges were based in Japan, with Angelee Deodhar, giving us her gifted support from India. With Angelee’s sudden passing and the retirement of emeritus judge, Nenten Tsubo’uchi, we decided to ask Toru Kiuchi to join us as judge this year. We were delighted when he accepted the appointment. He is a former Professor of English at Nihon University, Vice Director of the International Division at the Museum of Haiku Literature, Tokyo, as well as author of the recently published book, American Haiku: New Readings (Lexington Books).  We welcome him to the role and give a deep bow to Nenten for all he has contributed to the Contest.

The rules remain the same as last year. How about entering a piece or two? There are real prizes, certificates and judges’ comments for the winners, and it’s free! Address of our officer, Eiko Mori, and other details are given in the Genjuan 2019 Guidelines .

Finally, it is worth mentioning again that the Genjuan Contest Decorated Works 2015-17 anthology, complete with judges’ comments and examples of contemporary Japanese haibun, was published by us earlier this year. The pale green book with a painting by Buson on its cover is entitled, From the Cottage of Visions. Details of how to order are give on our Publications page, too.

Persimmons – part 7

Posted in Haibun, No/All season with tags , on September 20, 2018 by sosui

. I should like to end my haibun with a paragraph or two on kakishibu (persimmon varnish). I do not know exactly how it is made, but suppose it must be by condensing and fermenting persimmon juice. It is used mainly as a coating for traditional Japanese paper, thereby not only strengthening it but also making it waterproof. Thus a raincoat called kamiko came to be made, first for the priests of the Risshu sect to wear, but later for warriors and travellers as well. It was both light and warm. It was one of these raincoats that Basho took on his journey to the North. Persimmon varnish is also used to coat paper umbrellas. Seeing pictures of them on the Internet recently, I was surprised by the variety of designs. The traditional colour was brown, but now they seem to come in bright colours like red and green and make good decorations for restaurants and hotels.

. I have fond memories of persimmon-varnished fans. They were always sturdy ones and kept me very cool. I always used to pick out a fan of this type from the bamboo case in which we kept our fans at home. Nowadays, the Internet shows fans of this kind in many different colours, but mine was dark brown. I prefer this traditional colour. When summer comes again, I will probably buy a new one.

Let me take a nap,
Using a fan coated with
Persimmon varnish.

this instalment concludes Nobuyuki Yuasa’s haibun 

Genjuan International Haibun Contest 2018 Results

Posted in Haibun, News with tags , , on April 16, 2018 by Tito

グランプリ作品 Grand Prix 
The Forbidden Pet   (Branko Manojlovic, Japan)

庵賞作品 An (Cottage) Prizes
Way of Lilies   (Marietta McGregor, Australia)
Let there be Lightning   (Ignatius Fay, Canada)
Waiting for Christmas in Ohio   (Chris Bays, U.S.A.)

入選作品 Honourable Mentions
Lost   (Sean O’Connor, Ireland)
Brazilian Night   (Marina Bellini, Italy)
Red, Blue, White   (Dru Philippou, U.S.A.)
Coal Mines   (Beth A. Skala, Canada)
Flying   (Pearl Elizabeth Dell May, U.K.)
Reflections   (David McCullough, Japan)

審査委員   Judges
Nenten Tsubo’uchi, Stephen Henry Gill, Hisashi Miyazaki, Angelee Deodhar

Sincere thanks to all authors who sent in their haiku prose works: 133 in total from 15 countries. It is wonderful to find that this year’s Grand Prix winner is a member of our Hailstone Haiku Circle in Kansai, Japan – Icebox contributor Branko Manojlovic! Hearty congratulations. For the first time, the winner will actually be able to select from the Genjuan Prize folio the large and very fine ukiyo-e reproduction print he has won. Usually, we have to imagine what the particular author might like and airmail it in a super-large protective folder. The Forbidden Pet is a very fine piece, as indeed were all the Cottage Prize winning haibun. These four works are now available to read on a dedicated page on the Icebox and you can find out what sort of forbidden pet it is! Another of our contributors, David McCullough, has won an Honourable Mention. Ignatius Fay, who won a Cottage Prize two years ago, has done it again! Congratulations to all of our awardees.

Watch this space for further announcements about the anthology of awarded pieces 2015-17, to be published next month, and the shape of next years’s Contest.

Pointing the Lens

Posted in Haibun, Spring with tags , , on April 6, 2018 by David Stormer Chigusa

Work is work, except at lunchtime. And I have the good fortune of working near Ichigaya in Tokyo, meaning an early afternoon walk down there during the hanami season is like taking an exotic little vacation. I even take my camera, like a real tourist.

Brief blossom
at its height, gusts,
china blue sky

Many of the garish blue tarpaulins spread out on the banks of the Kanda River under blossom-laden branches are occupied by only one person, stationed to keep the spot for colleagues who will gather there later on. Some such lone employees are virtually still at work, hunched over a laptop. Others are not as diligent.

Just one petal
of the pink and white cascade
crowns the sleeper

Nearly all the cameras (smartphone and dedicated) capturing blossom shots are pointed sweetly and conventionally skyward. But over there is a blossoming branch, half in shadow, overhanging the dark, dank top of a shabby roadside waterworks bunker that’s strewn with just-fallen petals. I snap it. I get looks.

Chuckles for
pointing the lens
at where spring hides

hanami – cherry blossom viewing

Persimmons – part 3

Posted in Haibun, No/All season with tags on March 5, 2018 by sosui

. Persimmons are used for making different kinds of confectionery. Dried persimmons are rolled with yuzu (citron) peel to make makigaki (rolled persimmons). Sweet persimmons are ground and mixed with bean-paste to make kakiyoukan (persimmon bean-paste). In Hiroshima there was a Japanese confectionery shop famous for kakiyokan on the main street. Its name was Toraya (Tiger’s) and they had a big paper tiger in the window to attract customers. Alas, the shop is no longer there. I used to buy rolled persimmons at Yuki Hot Spring. I thought the combination of citron peel and dried persimmons was exquisite. I visited this hot spring many times to enjoy trout fishing. When I left Hiroshima my last visit was to say goodbye to the fireflies.
…………….  The transparent streams,
…………….  The fragrance of yuzu peels
…………….  And persimmon rolls.
……………………………………….  They are here no more  —
……………………………………….  The persimmon bean-paste and
……………………………………….  The paper tiger.
………………………………………………………………….. Across the river,
………………………………………………………………….. And over the rice paddies —
………………………………………………………………….. The fireflies are gone.
. It is said persimmon leaves have germicidal properties. In Kansai, they wrap sushi with persimmon leaves to make kakinoha-zushi. Originally this kind of sushi was made in the valley of the River Ki, but now the custom has spread to many other places. I used to make a point of buying a box of persimmon-wrapped sushi whenever I went to Kyoto. I loved its soft flavour, so characteristic of Kyoto. Along with the saba-zushi (vinegared fish) of Tsuruga, for me this is still an unforgettable food. After World War II, it was rumoured in Hiroshima that persimmon vinegar was effective against radiation sickness. I do not know whether it really worked or not, but in the family home to which I had been evacuated, the eldest son died in the explosion, although his sister survived with heavy keloid scars. She is still alive today, aged more than one hundred. Perhaps her longevity may have something to do with persimmon vinegar.
…………….  I enjoy sushi
…………….  Wrapped up in persimmon leaves,
…………….  Outbound from Kyoto.