Archive for the News Category

「イヌピアット語のレッスン」

Posted in Book, Haibun, News with tags , , on June 11, 2019 by Hisashi Miyazaki

It is unusual to use Japanese language for the title of a posting, but this is a Japanese language book! For those of you who cannot read Japanese, the title says “Inupiat Lessons”, taken, with permission, from Doris Lynch’s Genjuan Haibun Contest 2015 Cottage Prize-winning haibun reproduced in Jap. trans. on page 22 of the book. It is about her experiences while living in Kivalina, in northwest Alaska. The original English haibun was reproduced on p.10 of the recent Genjuan anthology, “From the Cottage of Visions“. The new 176-page book is basically a Japanese translation of the earlier English language book, pub. by Hailstone. It has been translated and edited by Hisashi Miyazaki with assistance from Stephen Henry Gill and Nenten Tsubo’uchi. It includes new greetings/foreword by the Contest’s two founders, Nobuyuki Yuasa & SHG (Tito), a new afterword by NT, and an augmented overview of haibun history can be found within HM’s new appended Commentary. This is an attempt to awaken the interest of Japanese readers in haibun, which, as a literary form, although of Japanese origin, has in recent decades mainly been developed overseas. It is fascinating to see what foreigners have made of a Japanese genre. The obi (yellow paper band wrapped around the book) says enticingly, “Haibun? What is that?” (NT).

The book was published in April 2019 by Zonomori Press 像の森書房 in Osaka. It is available from Amazon Japan here or from Hailstone here . It costs ¥1,500 if you buy it at a Hailstone seminar or event or in a bookshop in Kansai. It might be of interest to some Japanese readers to compare the original English found in “From the Cottage of Visions” with the Japanese text in “Inupiat Lessons”. Please support this project, financed largely by donation, including one from Hailstone. Get your copy while they last!

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Genjuan International Haibun Contest 2019 Results

Posted in Haibun, News with tags , on April 18, 2019 by Tito

The results of the 8th Genjuan Haibun Contest are as follows.  It was a good year for Canadian writers! We received 94 entries from a record 19 countries this year. Our gratitude goes to all entrants and congratulations to the awardees. We also wish to thank our new judge, Toru Kiuchi, for his hard work and insightful remarks. The five prize-winning 2019 entries have now been posted to the Icebox on a separate page (find orange link at top right). Hopefully you will enjoy them as much as the judges did.

Grand Prix

Memories of a Coal-Miner’s Grandson   Bryan D. Cook  (Canada)

An (Cottage) Prizes

Wigan Flash    Judy Kendall  (UK)
Come and See   Sean O’Connor  (Ireland)
White Out   Marcyn Del Clements  (USA)
Seeing in Darkness ..Branko Manojlovic . (Serbia/Japan)

Honourable  Mentions

House of the Sun   Jeff Doleman  (USA)
An Aura   Diana Webb  (UK)
Food for Thought    Ignatius Fay  (Canada)
The Beggar near the Palma Cathedral   Joan Prefontaine  (USA)
Cherries   Terry Ann Carter  (Canada)

Poll: Chief Characteristics of English Haiku (Mar. 2019 update)

Posted in News, Poll with tags on March 10, 2019 by Tito

If you scroll down the right-hand margin of the Icebox top page, you will find a poll, in which everyone is still most welcome to participate – just once! The software has the ability to prevent second-timers or those who would try to choose more than 3 options. People from all over the world have taken part. If you click on the words ‘See Results’ at the bottom of the poll area, you will see the latest number of votes for each characteristic. Clicking there in Mar. 2019, I notice that we have now had 200 people return their idea of what might be the ‘Three Chief Characteristics of English Haiku’, so perhaps it’s time again to look at some of the poll’s emerging conclusions.

The two categories of Juxtaposition and Cut/break now total 89 votes together, which means that almost one in two people think that aspect is crucial. In Japanese haiku these are known, respectively, as 取合せ toriawase and 切れ kire and may be viewed as related features. It is true, however, that there are ‘un-cut’ haiku in both the Japanese and the English haiku-writing worlds. No, break is not an absolute requisite.

In second place, I notice that Originality and Poetic voice have thus far together polled 72 votes … and Resonance and Open-endedness garnered 71 between them. For now, allow me to put aside the first, Originality, which is a requisite of all poetry, not just haiku. I shall keep that quality of ‘expansiveness’ (Resonance) in mind, though, as we continue through the top of the league.

More or less equal in third place, we have Moment and Present tense (aggregating 64), and Brevity and Omission (aggregating 57). Ordinary present-simple and present-continuous tenses clearly rule the roost in English haiku-writing, but a ‘Present moment’ quality is not something that is considered in Japan, where verbs may come in many different tenses and might even sometimes be a touch classical in tone. Brief expression is obviously a requisite of haiku, though how brief exactly is open to debate.

As most will already know, the three chief characteristics of the classical Japanese haiku are: 1. 5-7-5 form, 2. Seasonal reference, and 3. Break (often using a cutting word). In spite of plenty of experimentation over the last 100 years, 5-7-5 kana letters as a single line is still today the normal style in Japan.  Looking again at our poll results, I find that 5-7-5 and 3-lines together polled only 31 votes from 200 people. Seasonal reference gathered in just 38 votes; the same number, interestingly, as Real experience. I propose now to add Real experience (38 votes) to Present moment (64): and we get 102, which brings it to the top of the charts!

It is thus tempting to conclude that the three most important characteristics of English haiku, at least from this poll as it stands today, are:
……… 1. The present moment (102 votes)
……… 2. Break (with or without punctuation) (89)
……… 3. An expansive quality felt at poem’s end (71).
Concision is in fourth place (57).

The English haiku poet’s craft, when thus analyzed, may appear to be quintessentially about the vividness of the Present situation and the utilization of Break as a technique through which to create Resonance for the reader learning of it. Being a Brief expression is evidently also highly valued, as it should be, although free-form haiku is clearly the current norm. For me personally, I was a little sad that Sound/cadence has thus far only polled 21 votes – one in ten: not insignificant, but definitely a minor characteristic for most. This is no doubt partly because of the almost puritanical minimalism that has reigned supreme since around 2005 in most of the leading haiku mags and sites, according musicality little importance. Icebox is in this respect rather different. Seasonality is probably in fifth place (38, and there’s nothing to couple it with): again, slightly disheartening for one who was born in Britain and now lives in Kyoto – a city with a deeply seasonal flow. The English-writing world is such a big place!

Your comments on this interim overview are welcome. Just click on the word ‘comments’ below to open up the reply box. Feel free to tweet it or to share it on Facebook. Next report? Perhaps after another 200 have responded!

Ellis

Posted in News, Tribute with tags on March 1, 2019 by Tito

Dear friend and Hailstone member, Ellis Avery, passed away on Feb. 15 of this year. She had been fighting cancer for quite a while, and several of her friends here in Kansai knew of this. A few of us were fortunate to have had dinner with her on what we now know to have been her last trip to her beloved Kyoto, in December 2018. Some of us were given her latest Haiku Datebook containing her daily English haiku for the last full year of her regretfully shortened life. The first poem in it goes:

………. Bright sun, blue Charles,
………. her hand in mine. So thankful
………. for this day, so keen for more.

The Charles is the name of the river running through Boston, MA, where she lived with her wife, Sharon Marcus, and where my own grandmother lived in later life and died (but at more than double Ellis’ age of 46). This haiku especially brings tears to my eyes.

Some of you may remember Ellis as a contributor to Hibikiai Forum, as a judge of the Genjuan International Haibun Contest or perhaps, more likely, as a prize-winning novelist. Amongst her works outside of haiku were The Smoke Week (2003), The Teahouse Fire (2006), and The Last Nude (2012). She was not only a brilliant writer and fine poet, but also a most compassionate person: in fact she had been training to become a nurse. Our thoughts go out to Sharon. Her artistic legacy will survive!

Ellis’ latest haiku collection can be purchased here: http://www.harvard.com/book/haiku_datebook_2019/

This is the penultimate haiku in the book:

………. The leaves are dead,
………. but not the trees. They rest
………. with arms aloft. They wait.

RIP

Thinking of Angelee

Posted in News, Tribute with tags , on July 1, 2018 by Tito

For those planning to take part in next year’s Genjuan International Haibun Contest, we are very sorry to have to announce that our colleague Angelee Deodhar, one of India’s foremost haiku poets, passed away quite suddenly on June 28 in Chandigarh. She had been in recent correspondence with us, not only about the Contest and publications, but also about a planned visit to Japan next spring. Those of us who have worked with her at the Cottage of Visions are greatly saddened. She made a splendid contribution to English haibun, by editing the epic ‘Journeys’ anthology series and helping to judge the Genjuan, yet she herself always remained modest, tactful and warm. She signed off her letters, to me at least, with the phrase, ‘Love and light’ …

This graciousness will surely continue to be felt and cherished. Our thoughts are with her family and close friends at this time.

It is appropriate to share what she had apparently once referred to as her 辞世 jisei, or death verse:

water-worn boulder
so smooth now
against callused feet

RIP

New Genjuan anthology, “From the Cottage of Visions” is out!

Posted in Book, News with tags on June 3, 2018 by Tito

.. From the Cottage of Visions, a compilation of the awarded works from the Genjuan International Haibun Contest 2015-17, was published at the end of May. 112pp, A5 size, 37 haibun from around the world, some written by Japanese, judges’ comments, a potted history of Japanese haibun, 4 illus. by Buson & Taiga, ¥1,300 (U.S.$13 incl. p&p).
.. This week, we will honour our commitment to all entrants of the Contest during those three years and airmail more than 100 free copies worldwide (photo shows Officer, Eiko Mori, and assistant, Teruko Yamamoto, doing the addressing!). Entry to our Contest remains free, but we have no wealthy sponsors. So, how have we managed to do this charitable act for all these years? The answer is threefold: some judges have made occasional donations, all labour is done in a spirit of volunteerism, and we have diverted some of the profits made through sales of other Hailstone publications (including Meltdown, Persimmon and our previous Genjuan anthology 2012-14) into covering some of our printing costs. We would certainly like you to buy a copy if you can! The book can be ordered through the channels outlined near the bottom of our Publications page. 

Genjuan International Haibun Contest 2018 Results

Posted in Haibun, News with tags , , on April 16, 2018 by Tito

グランプリ作品 Grand Prix 
The Forbidden Pet   (Branko Manojlovic, Japan)

庵賞作品 An (Cottage) Prizes
Way of Lilies   (Marietta McGregor, Australia)
Let there be Lightning   (Ignatius Fay, Canada)
Waiting for Christmas in Ohio   (Chris Bays, U.S.A.)

入選作品 Honourable Mentions
Lost   (Sean O’Connor, Ireland)
Brazilian Night   (Marina Bellini, Italy)
Red, Blue, White   (Dru Philippou, U.S.A.)
Coal Mines   (Beth A. Skala, Canada)
Flying   (Pearl Elizabeth Dell May, U.K.)
Reflections   (David McCullough, Japan)

審査委員   Judges
Nenten Tsubo’uchi, Stephen Henry Gill, Hisashi Miyazaki, Angelee Deodhar

Sincere thanks to all authors who sent in their haiku prose works: 133 in total from 15 countries. It is wonderful to find that this year’s Grand Prix winner is a member of our Hailstone Haiku Circle in Kansai, Japan – Icebox contributor Branko Manojlovic! Hearty congratulations. For the first time, the winner will actually be able to select from the Genjuan Prize folio the large and very fine ukiyo-e reproduction print he has won. Usually, we have to imagine what the particular author might like and airmail it in a super-large protective folder. The Forbidden Pet is a very fine piece, as indeed were all the Cottage Prize winning haibun. These four works are now available to read on a dedicated page on the Icebox and you can find out what sort of forbidden pet it is! Another of our contributors, David McCullough, has won an Honourable Mention. Ignatius Fay, who won a Cottage Prize two years ago, has done it again! Congratulations to all of our awardees.

Watch this space for further announcements about the anthology of awarded pieces 2015-17, to be published next month, and the shape of next years’s Contest.