from the Icebox inbox – 52

Haiku poems (and one haibun) selected from Icebox submissions (Jan. – Mar. 2022) by Sosui (Nobuyuki Yuasa):

ancestral house
the old tree and I
share our memories         Mira

last sliver of sunlight
gray geese still honking, grazing
on dark earth                        Sydney Solis

arises from the fog
and disappears in it –
the pilgrim                            Momiji

jasmine scent…
morning sun warms
the bellies of storks              K. Ramesh

No Fishing sign
a heron’s eye
catches mine                        John Parsons

Haibun:
Under my high-legged sofa is an old brown suitcase with remnants from my dear deceased parents. It has been sitting there since my sister and I cleared out our childhood home nine years ago. Like a constant reminder, it has been on our “to do” list since: sorting out diaries, letters from relatives and papers from our father’s work as professor. But each time my sister visited, we postponed it as just too much – just now – when the sun was shining or a museum or film lured us to less heartbreaking activities. We know how fast we packed that heavy old thing! Years went by and last May my little sister became ill with cancer and died after just one month. So short a time to say all the unsaid things from a long life! Now I am the sole matriarch and the suitcase has been shouting at me to be opened. To my surprise my father wrote drafts of his correspondence.
The paper crackles
Thin between my fingertips
Letters from beloved                Ulla Bruun

Once a lump of clay—
Three sharp pieces in the sink
still hold memories                   David Sinex

Crooner’s recording
From a promenade bandstand
Vies with wind and waves.         Kamome

in the dance of snowflakes
a Japanese white-eye begs food
from me in the garden               Yoshiharu Kondo

Sosui’s comments:

The criteria used in my selection were (1) to choose one piece from each contributor and (2) to choose the poems that struck my heart in one way or another. My comments are as follows.

Both the author and the tree may be silent, but Mira’s poem is very eloquent nonetheless. Sydney Solis’s poem is a beautiful description of an evening scene. I wondered if it might be possible to move ‘grazing’ to the third line, though. Momiji’s poem not only describes the fog but also the inner mind of the pilgrim very well—full of anxiety but looking for peace. K. Ramesh’s poem is a vivid description of a morning scene. I smelled jasmine and felt the warmth of the sunlight. John Parsons’s poem catches a poignant moment well. I happen to be a fisherman myself, and have always detested ‘No Fishing’ signs and enjoyed meeting herons. Although they are our rivals, they can sit on a stone in the stream like a philosopher. They do have very sharp eyes, though.

Ulla Bruun’s haibun deals with a common theme, but I found it very sincere. I chose only one of the poems after the prose section, but it is a powerful one with which to conclude the piece. I found David Sinex’s poem somewhat mystifying, but thought-provoking at the same time. I wondered if it might not be possible to add a short prose paragraph to make the poem more understandable. Kamome’s poem describes the loud voice of the singer effectively. I wonder, though, which is really louder, the singer’s voice or the wind and waves. Singers nowadays may use electronic devices to make their voices very loud but, even so, winds and waves are more powerful, or at least it should be so. I enjoyed reading Yoshiharu’s poem on white-eyes (mejiro). I am also fond of these tiny green birds. Spring does not come until they are around.

Please allow me also to share a few haiku poems of my own. Feel free either to skip them altogether or to send me your own comments through the reply box.

The sky dawns today
Flushed in the softest of pink —
We know spring is here.        ほんのりとピンクに染まる春の朝

A pair of crows fly
From a plum blossom village
To their mountain home.       梅が咲く里から山へ鴉二羽

A pair of white-eyes
Sing by turns in a hedgerow
In their sweetest voice.         生垣に目白鳴き交う声優し

With its sudden cry
A pheasant broke the silence
Of a spring morning.          ケンケンと雉鳴き春のしじま断つ

Although I wrote the following poem years ago, I repeat it every year when the cherry blossom season is over.

Cherry blossoms gone—
Now I sit down to enjoy
Blossoms in my heart.                            散り果ててやっと心の花見かな

Kyoto Isshu Trail Haike VIII

Heavy snow had fallen all over Kyoto in the days before six intrepid haiku hikers gathered at Ninose, a tiny village next to Kurama. We found the northern hills still draped in sheets of white.

The local railway
gently winding to snow —
silent mountains
………. (Akihiko)

Our aim was to reach Himuro, an ancient centre of ice production for the imperial court. We had certainly chosen the right time of year. Paying brief respects to a kamakura (Japanese igloo) we began the long, steady climb of Mount Mukai. Throughout our hike we were treading on snow, grateful to follow the footsteps of the few hardy souls who had broken the trail on previous days.

The buck bolts
up the snowy riverbank
before my shutter clicks
………. (Richard)

Higher up, we reached Yonaki Toge (夜泣き峠) or Night-Wailing Pass. Here, the infant Prince Koretaka was pacified when his nurse prayed for relief to local gods, who advised her to place a piece of pine bark under his pillow.

Frozen under the snow
on a Kyoto hill —
ancient tears
………. (Margarite)

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Crossing the peak of Mount Mukai, we stopped for a chilly lunch at one of the few spots on the northern trail that offers a view across the city. Too cold to linger, we descended to the headwaters of the Kamo River. Gazing south along the river valley, it was hard to imagine the large city that lay hidden beyond the ridge. Climbing again, we entered Nusuttodani(盗人谷)or Thieves’ Canyon. This is one of the wildest spots on the Round Kyoto Trail, a dark and claustrophobic place where we were forced to stoop under innumerable fallen trees and hop over streams. But the deep snow added light to the valley, and lightened our mood.

Middle-aged folk
hurl snowballs back and forth,
sniggling
………. (Kazue)

Splattered over snow,
a blue mystery —
winterberries
………. (David)

All the way up
the Gorge of Thieves
tall trees
throw down ice
………. (Tito)

At the head of the valley we emerged into a blindingly white world. The tiny hamlet of Himuro, hidden away among the northern mountains, felt completely deserted, save for one barking dog and a rising line of smoke.

Blanketed in snow,
wreathed in wood smoke —
the icemakers’ village
………. (Tito)

We clambered through deep snowdrifts to the spot where, from ancient times, villagers stored ice in shallow pits. In June they uncovered the precious commodity and carried it over mountains, bringing a touch of summer cool to fortunate aristocrats in the capital.

Finally, we paid a visit to the snow-bound Himuro Shrine, dedicated to the God of Ice.

Flat and square
under the shrine roof,
a snow blanket
………. (Akihiko)

One adventure remained, as we were obliged to return by car over the high, and deeply frozen pass at Kyomi Toge (京見峠). Slithering and slipping on the treacherous road, we descended to a downpour of snow-melting rain.

from the Icebox inbox – 51

Happy 2022, dear readers!

It’s about time to gather some of the more resonant offerings posted as comments at our current Submissions page. Thank you for sending them in.

summer noon —
the sound of cowbells
outside my home

.. Mira, India

purple loosestrife
stillness of a heron
in autumn sun

.. John Parsons, UK

a grey heron
walks magnificently …
flies off
with a metallic sound

.. Yoshiharu Kondo, Japan

twilight in Salamanca —
a cacophony of birds
all the way home

.

between mossed trees
white turn arrow on asphalt
points to the moon

.. Sydney Solis, Spain

Colorful silk thread
Thrown across the vast sky —
Dusk’s weaving wheel

.. Sowmya Hiremat, India

Creatures of Winter

Nobuyuki Yuasa (Sosui) has asked me to share these new winter haiku of his. There will be a new ‘from the Icebox inbox’ posting soon. Happy holidays to all of our readers!

All that must depart,
I leave them to the cold wind
And shut myself up.

去るものは風に任せて冬籠 saru mono wa kaze ni makasete fuyugomori

A pot of young pines,
How deep the green of their needles
In this winter scene.

一鉢の松の若木や緑濃し hitohachi no matsu no wakagi ya midori koushi

A winter crow perched
On an electric wire, sharpens
Its beak against it.

電線に嘴研ぐや冬烏 densen ni kuchibashi togu ya fuyugarasu

A young cat asleep
In a sunny spot, moving
Its ears now and then.

若猫は日向で寝ても耳動く wakaneko wa hinata ni netemo mimi ugoku

A December storm —
Two rainbow pillars stand up
In the Western sky.

冬の虹二本立ちたる西の空 fuyu no niji nihon tachitaru nishi no sora

Autumn’s here

As autumn progresses, allow me to offer a few observations from my part of the world (over 9,000 kms. away, in Macedonia), yet not so very different, one imagines, regarding Mother Nature’s universal brilliant show of colour and latent scent of gradual decay.

warm winds of autumn
busy sweeping leaves
into tidy corners

….. tree roots
….. along the woodland path
….. an old man doffs his cap

………………………… edge of the lake
………………………… poplars on tiptoe
………………………… admiring their reflections

autumnal breath
golden aspens
shivering

breezy stroll
prattling on
a brittle leaf keeps pace

approaching storm
lake swans busking
next to shriveled reeds

Tengus, Ninjas, Yogis, Strongmen, Dutchmen, Bodhisattvas

Granite sometimes weathers into marvellous rounded boulders perched atop hills. In Britain, we call them ‘tors’, and Konzeyama in southern Shiga prefecture has many. Such places often prove a source of inspiration. This year’s annual Autumn Haike (haiku hike) was Hailstone’s 20th and, since the 1st had also been in Shiga on the opposite side of Lake Biwa, it seemed somehow right to celebrate here. On 23 October, nine poets and would-be poets showed up at the main rendezvous in Kusatsu.

One autumn day
this Dutch dame, excited
about a Dutch dam (Margarite)

Before the stone structure, our organizer, Margarite Westra, told us the story of how C19th Dutch engineer, Johannis de Rijke, had built this dam in the river to help prevent floods.

Autumnal skies –
an elusive mountain runner
like a ninja (Akihiko)

Our tenth haiker, David, had just appeared wearing black. He told us he had run all the way from our destination at Konshouji and that the trail was rough. Much later in the day, he sped away from us again!

Two stone Buddhas
doing headstands –
and I do, too (Tito)

Sakasa Kannon was the first of a number of Buddhist monuments scattered across the mountain and dating from as far back as the Nara Period (C8th). The boulder into which the figures had been incised must have rolled and come to rest centuries ago with the enlightened ones now unfortunately displayed upside down.

October breeze –
from solid stone
a spray of red berries (David)

Silver grass swaying
gently pushing my back …
life proceeds (Miki)

From this point, we began climbing through tinted-tip trees along the upper reaches of a tributary stream… until we came to a huge boulder with much finer carvings: Komasaka Magaibutsu, an Amitabha trinity showing Korean influence.

Cliff-carved Buddha –
his one lichen eye (Richard)

Ascending further through the forest, we emerged at a tor and met the autumn wind.

Along the autumn ridge
awaiting a flying nimbus
holding your ashes tight (Moto, written for Rainier)

The view from Kunimi’iwa was splendid, so we ate our bento boxes and sandwiches there. From our granite perch, we could look out over Shiga and Lake Biwa. To the south, across into Iga, Basho’s homeland; to the north, past Mt. Mikami towards the Umibe no Michi along the lake’s north-eastern shore; and to the west, we could make out Mt. Hiei, and further away Mt. Hira, where we had begun our autumn haikes all those years before.

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Presently, we moved on to Kasane’iwa.

Two huge rocks
balancing on a cliff:
they hold the warmth
of Indian summer (Akihiko)

The party then split into two, then three, then four, as some of us attempted to reach the massive white promontory tor of Tengu’iwa, the metaphysical highpoint of our journey. It was rock climbing in part and only six made it there.

Mt. Konze –
on the strange rocks
a tengu dancing (Mitsuko)

Tengus are prancing long-nosed, red-faced wildmen, and by this time, believe me, a few of us had become quite goblin-like in our movements and expressions! This heavenly rocky spot is one of the hidden wonders of Kansai.

The summiteers shimmied back, picking up the stragglers, until all reached the Pavilion of the Horse-headed Kannon (Batokannon-do). But there was nobody there and nothing to see through the slats.

A kilometre or so further on, we found the entrance to the Nara Period temple Konshouji, whose cedar-lined, stone-stepped approach ends in a gateway, on either side of which were illuminated Nio, wooden ripple-muscled Buddhist guardian strongmen. An assortment of fine sculptures of gods and saints greeted us from wooden halls scattered through the temple’s numinous grounds.

When the talking stopped
in the sea of moss
silence spoke (Margarite)

The priest had told us that he would hold up the last bus to ensure most of us could visit his temple. As we left the precinct, sure enough, a Meguri-chan coach was waiting. Buying tickets on board was not an easy matter, however, for the conductor had purloined four of the precious passenger seats as his ticket booth and was making quite a meal of it! Subsequent passengers boarding after us had to stand, but the goofy conductor maintained his four-seat ‘office’ to the bitter end. Lurching as it went, the little bus plunged away down the mountain and into the gathering dusk.

Late mosquito –
it lingers on the man
doing a simple sum (Tomiko)

Haiku from The Tokyo 2020 Olympics

We had 兼題 (suggested topic) at both of the Hailstone English Haiku seminars in August: ‘Olympic sports’. As they watched on their TV sets, poets in both Kyoto and Osaka composed haiku and haiqua on athletics, swimming, cycling, skateboard, gymnastics, surfing, karate, table tennis, baseball, sports climbing, and so forth. To celebrate the Games’ conclusion, here’s a small selection of them after slight 添削 (tweaking).

August sun —
beckoning deities to her chest
her hop step  j  u  m  p! (KY)

Tattooed eagle
on the Olympian’s arm
cleaves the water —
the final length (YA)

peeking over
the ping-pong table
a tiny girl’s happy face —
training for the Olympics (TY)

Neptune’s billow
brings the surfer to …
glory on the beach (HS)

a climber, hung
upside down
poised for the next move …
sweat beads on her cheeks (AK)

To watch the bobbing heads
of BMX cyclists …
illegal crowd
on a distant bridge (T)

Uji ‘I Wish’ Kukai – Hanami – Ginko

At last, after coronavirus cancellations and a rain postponement the previous week, a real opportunity to celebrate our new book! 3 April 2021 – Hailstone held a hanami kukai (haiku evaluation meet) in Uji, on a large groundsheet on Nakanoshima Island under some of its still-blossoming cherry trees. Participants read aloud and commented on their favourite 3 haiku from the ‘I Wish‘ anthology (published last December). Afterwards, a ginko (composition stroll) was held on the north bank of the river, visiting Uji Shrine, the Heian Period Ujikami Shrine, and the rocky approach to Koshoji Temple.

Kukai Winning Haiku (3 votes):

…… Like a Kabuki actor
…… an old persimmon tree
…… posing alone
……………. Hitomi Suzuki

Runner-up (2 votes):

…… This colour
…… squeezed from sky and earth,
…… a tinted leaf falls
……………. Miki Kotera

Congratulations to both poets. Your haiku were selected as favourites from a field of 218 in the book!

That very week, Masahiro Nakagawa had sent in this haiku:

…… ‘I Wish’ —
…… I finish reading it
…… as cherry petals fall

The cover of the book, by Richard Steiner, also portrays streaming cherry petals. Now, here we were celebrating its publication and enjoyment on the last possible day for a hanami this year.

…… Lips get eloquent
…… at the outdoor haiku gathering …
…… wandering cherry petals
……………. Akihiko Hayashi

………………………….. Mistletoe
………………………….. on a blooming cherry —
………………………….. a wish to be transformed?
………………………………………… Kyoko Norma Nozaki

…… Through cherry blossoms
…… blushes of sunlight visit
…… our picnic lunch
……………. Akira Kibi

………………………….. “One more night”
………………………….. whispered to the station cherry –-
………………………….. rainclouds in the west
………………………………………… Tito

20th Anniversary Haiku Collection – I Wish

Hailstone Haiku Circle was founded on 11.11.2000 at a meet in Shiga prefecture. That day, we visited Ukimido 浮御堂 and noticed a rainbow over the northern part of Lake Biwa. It had seemed to stay with us, there to the right of  Mt. Hira, all afternoon long! 20 years on, I feel that rainbow is still with us now, shining on miraculously in the sun and rain.

So, we are 20 years old, and may be feeling in need of an anniversary collection? Well, it has just come out! I’ve called the book ‘I Wish’ … for reasons only hinted at in the foreword and in the ‘wish’ haiku that crop up here and there within the book. The cover was painted by Richard Steiner (Tosai). There is an afterword by Gerald (Duro Jaiye). Besides the individual author pages, the book also contains rensaku (haiku sequences) on earthquake, flood, heatwave, typhoon, wildfire, and, of course, on pandemic, too. There is also a short In Memoriam section, a Glossary and an Events List at the end. No haibun, though, as Hailstone will be issuing an anthology of Genjuan Awarded Pieces (2018-20) in a few more months – and that will be “haibun max”! Watch this space.

‘I Wish’ is A6 (pocket-size), 104pp, costs ¥1,200 for single copies, and contains 218 haiku by about 60 poets, both Japanese and foreigners, mainly living in Kansai, West Japan. It will be available at most Hailstone events from Dec. 24 onwards … till at least mid-spring next year and can be ordered through the avenues described at the bottom of our Publications page. The publications officer will then send you details of payment options, depending on where you are, as well as of postage and packing costs.

I hope you will enjoy our new book. Long live that Hailstone rainbow !

The Path of Birds: Kyoto Isshu Trail — Part II

May 17.

Five of us met, carefully masked, to walk the eastern section of the Kyoto Circuit Trail, from Fushimi Inari to Keage. With an end to the lockdown in sight more people were out, but the approach to Fushimi Shrine still quiet.

Sparrow-meat stalls*
closed by the Virus:
sparrows celebrate   (Tito)

Japanese visitors shared friendly, if slightly cautious, smiles as we walked through the shrine grounds.

Vermilion-faced foreigners
trooping down
the wrong torii tunnel   (Richard)

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Climbing past myriad shrines, fox statues and altars to the gods, we wound our way over Mount Inari.

Known to steal even
the shrine’s lighted candles,
crows in a spring wood    (Tito)

At Sennyuji we passed through an area of many imperial tombs, including the grave of Komei. His son, the Emperor Meiji, penned the following:

⽉の輪のみささぎまうでする 袖に松の古葉もちりかかりつつ
Tsukinowa no misasagi mode suru sode ni matsu no furuha mo chiri kakari tsutsu
Here at Ring of the Moon Cemetery
I visit the ancestral tombs
and onto my sleeves
ancient pine needles
are falling, falling*

For a while, we skirted the edge of the city before climbing onto the hills that rise above Kiyomizu Temple.

treetop birds —
even their laughter
keeps a safe distance    (David)

The day ended with a visit to Himukai Daijingu, the Sun-Facing Shrine, a source of holy water that once helped to ward off a ninth century plague.

At the foot of Himukai Shrine–
a white cockerel*
clucking under my caresses    (Richard)

Notes:
*Fushimi Inari is famous for its stalls selling grilled sparrows;
*falling pine needles indicates early summer;
*cockerels are sometimes kept at Shinto shrines dedicated to the sun goddess, Amaterasu.

Kyoto Isshu Trail – Part I

On Mar. 31, in spite of the corona virus scare, three Hailstones (of eight solicited) did actually hike about 14km of the Kyoto Circuit Trail between Takao and Arashiyama, much of it beside or overlooking water – Kiyotaki Stream and later Hozu River from the gorgeside trail on Mt. Ogura.

The mountain cherries were coming into bloom. Packed lunches were eaten on a huge rock in Kiyotaki Stream. Two of the hikers managed a few haiku, a flavour of which is given below.  Once the virus subsides, we hope to do some more of these not-too-vigorous hikes together, next time perhaps on the Higashiyama hills.

…………… Almost vulgar
…………… the azalea hillside’s pink —
…………… where Kukai’s brush* was thrown ……. (Tito)

………………………… as I wait
………………………… for tomorrow’s storm
………………………… the mountain burns with flowers ……. (David)

 

 

 

.
.
……. Waylaid
……. by watching red camellias
……. floating down the stream … ……. (Tito)

………………………………………….. girls in masks
………………………………………….. taking selfies —
………………………………………….. how deep the valley ……. (David)

CLICK ON PHOTOS TO ENLARGE!
* Kukai (774-835), the founder of Jingoji, Japan’s first Shingon Buddhist temple, threw his brush, already dipped in ink, from one side of the valley to the other, where magically it wrote the name of the new temple on a plaque. Or so the legend goes!

Snow Kukai

The Snow Kukai event held on March 8th turned out to be a very pleasurable afternoon. 14 poets gathered in the gorgeous pond-side setting of Shusuitei villa in Kyoto Gyoen to share and discuss snow-themed haiku submitted by no less than 24 different people.

David McCullough won first prize for his snow haiku. With 8 votes, it proved the most popular of those entered:

snow falls softly
onto the river —
last train passing by

Runners-up, both with 6 votes, were:

endless snow… …………………………………… Excavated remains —
I break the froth ……………………………….. into the postholes,
in a cup of cappuccino ………………………. snowflakes
….. (Yaeno Azuchi) …………………………………… (Keiko Yurugi)

Next, two poems that received 5 votes:

daybreak… …………………………………………. In the freezing rain
the muffled sound ……………………………… an old man living alone
of a raging snowstorm ………………………. picking peach blossoms
….. (Duro Jaiye) …………………………………………. (Yoshiharu Kondo)

And 3-pointers:

silky snow ………………………………………….. Lunchtime strollers
left on old tree — ………………………………. squint into the sun’s glare —
the clouds begin to break …………………. first snow flurries
….. (Akihiko Hayashi) ………………………………. (Jun Tsutsumi)

a morning of the cottage
everything with snow —
a straight track by a tiny hare
….. (Teruko Yamamoto)

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Poems that got 2 votes were:

oh no ……………………………………………………. snow vanishes…
snow in the deck-chair again ………………. as though an hour ago
insisting it’s winter ………………………………. never existed …..
….. (Ann Mari Urwald) ……………………………….. (Branko Manojlovic)

Twilight Venus
over the mowed garden —
the first snow
….. (Kiyoko Ogawa)

Poems with 1 vote were by: William Sorlien, Tito, Hisashi Miyazaki, Hiroko Nakakubo, Ursula Maierl, Kyoko Nozaki, and Eiko Mori. Alas, we didn’t have enough time to talk about these.

The event was well organized by Yaeno Azuchi and Tomiko Nakayama. Tito introduced the kukai, using snow haiku by Shiki, Meisetsu and Issa, and later gave the prize, a handmade Indian book for writing haiku. Branko Manojlovic debuted as discussion coordinator. He came up with the following haiku written during a tea break:

Still pond
touched by sunlight —
sharing snow haiku