A Mead-Hall of the Mind by J Hahn Doleman (USA)
An (Cottage) Prizes
Wintering Grounds by Marietta McGregor (Australia)
The Departing by Manoj Nair (India)
Call to Prayer by Matthew Caretti (USA)
Donnybrook Graveyard by Glenda Cimino (Ireland)
Bells on New Year’s Eve by Akihiko Hayashi (Japan)
Afternoon Memories by Margherita Petriccione (Italy)
Morning Zoo by Jennifer Hambrick (USA)
Great Horned Owl by Margaret Chula (USA)
Village Clean Up by Diarmuid Fitzgerald (Ireland)
Judges: Akiko Takazawa, Stephen Henry Gill, Sean O’Connor
Officer: Junko Oda
This year we had a record field of 139 entries from approx. 20 countries. For the first time, our entries came in by email, and not everyone stated where they live. Warm congratulations to all awardees, who will in due course receive certificates, judges’ comments and (the top four only) prizes. The 2021 prize-winning pieces are now available to read on a dedicated page here at the Icebox. A little later on, they will also be published in The Haibun Journal.
The Genjuan 2021 International Haibun Contest office opened for your entries on Dec. 1st. It will close on Feb 1st, but this year our officer will only accept email entries (up to 2 per person), so there’s still plenty of time to send something in. Free entry. The judges are the same as for last year. We welcome your participation. Full details may be found on our Guidelines page. Note: this is not a haiku contest, but one for English prose pieces that include one or more haiku.
To give you an indication of how international our contest is, here is a run-down of countries of residence of awardees (plus the total number in each) in the Genjuan (and earlier Kikakuza) Contests, 2009-2020.
USA – 32, UK – 22, Japan – 11, Canada – 10, India – 7, Ireland – 6, Australia – 5, South Africa – 4, New Zealand – 4, Romania – 4, Bhutan – 4, Italy – 2, Bulgaria – 2, Mexico – 1, Slovenia – 1, Denmark – 1
The awards are usually 1 Grand Prix, 2 or 3 An (Cottage) Prizes, and approx. 6 Honourable Mentions. The new Contest Officer awaits your creations.
Some of you might have noticed that for a few months now, the Icebox seems to have lost Archives, Categories and the Poll from our right sidebar. Our server WordPress has told us that it is because the theme we have been using these past 12 years is beginning to break up and we should change to a new one. Please don’t be surprised to find Icebox looking different at the end of this month! It will be revamped, though all content will be preserved.
The Guidelines for next year’s Genjuan International Haibun Contest can now be read here https://hailhaiku.wordpress.com/genjuan-international-haibun-contest-2021-guidelines/ or via the page link above. (To return to the top page after reading, just click the Icebox title photo of hailstones on wood.) Please note that entries will not be accepted before Dec. 1, only 2 max., and that they must be submitted in the body of an email. This is to suit the Covid circumstances we live in and our new Officer, Junko Oda, but will no doubt also make it easier for most of you to submit! The three judges remain the same as last year.
Amazing! The judges have finished their pow-wow early this year (completed on a long conference call between Tokyo, Kyoto and Tipperary), and we have already notified the awardees, so here now are the results of the 2020 Genjuan Contest:
グランプリ作品 Grand Prix
Snow in Advent …. David Cobb (UK)
庵賞 An (Cottage) Prizes
Whispers …. David McCullough (Japan/UK)
Key West Cat …. Joan Prefontaine (USA)
入選作 Honourable Mentions
Jamshedpur …. Kanchan Chatterjee (India)
Visiting John …. Paul Bregazzi (Ireland)
Fifteen Minute Limit …. Naomi Beth Wakan (Canada)
The Penultimate Mile …. Geethanjali Rajan (India)
Nagaranishi …. Sydney Solis (Japan/USA)
The Easter of the Blajin …. Cezar-Florin Ciobica (Romania)
Sunday Stopping Train to Salzburg …. Dick Pettit (Denmark)
審査委員 Judges – Akiko Takazawa, Stephen Henry Gill, Sean O’Connor
I don’t think Grand Prix-winning author David Cobb will mind me telling you that he has just turned 94 years old. Apparently he wrote the haibun when he was still a mere 93! I just spoke with him on the phone to Britain and he was his usual cheerful self. A worthy winner if ever there was one. You can read Snow in Advent and the two An Prize-winning pieces here.
We received more than 100 entries in all, but 7 had to be disqualified as haiku or haiku sequences without titles. This is a haibun contest and we demand prose! Amongst the 18 countries they came from, it was pleasing to find half a dozen good works from South East Asia this year, although none received an award. It was also a good year for Hailstone Haiku Circle, whose website this is, with two of its members gaining awards (DMcC and SS). Well done, Kansai friends! We also find two pieces from India amongst the Hon. Mentions.
The judges and the contest officer wish to thank all who sent us their pieces. Our warm congratulations go to all ten of the awardees.
Submissions deadline for the current Genjuan International Haibun Contest is 31 January. Entry is free. Pieces as short as 3 lines with a 3-line haiku + title are accepted. Much longer ones, too! Beautiful Japanese prizes, certificates, and inclusion in anthology (which will be sent to all entrants for free once published this year or next). Is there another haiku contest so generous to its supporters? This year we have a new officer and two new judges. For all details, see our Contest Guidelines page:
Please hurry now and send something in! Results will be posted here in the spring.
We are pleased to announce that the Genjuan International Haibun Contest 2020 will be open for submissions from Oct. 1 till Jan. 31 (arriving a couple of days late is usually OK). This year we have a new Officer, Yaeno Azuchi, and therefore a new address: 53-56 Izumigawa-cho, Shimogamo, Sakyo-ku, Kyoto 606-0807, Japan. Much gratitude goes to her predecessor in Hyogo, Eiko Mori, for many years of bright, efficient service.
We also have two new Judges, both haiku poets: Akiko Takazawa & Sean O’Connor. Akiko, a disciple of Murio Suzuki (1919-2004), leads the Karinka 花林花 group and lectures on haiku at NHK Gakuen in Tokyo. She is also a fine translator of haiku, both Japanese into English and vice versa. Sean is the author of Even the Mountains – Five Years in a Japanese Village, amongst other memorable books, and has a good grasp of the Japanese view of haiku and haibun. He is also the founding editor of The Haibun Journal, published in his native Ireland.
We must thank the two judges stepping down, Toru Kiuchi and Hisashi Miyazaki, for all their hard work. The latter particularly has made a huge contribution to haibun exchange between Japan and the English-speaking world. His humorous and shrewd judges’ comments will be sorely missed. The most recent compilation of awarded works in the Contest (2015-17), Cottage of Visions, he recently translated into Japanese as イヌピアット語のレッスン Inupiat Lessons, and we are currently selling this book. It makes an excellent Christmas/New Year present for Japanese friends. If interested, leave a comment below (or at the earlier posting), and we can tell you how to order. The book is an attempt to showcase to the Japanese haiku world what ‘haibun’ has become abroad – something of which we can all be proud.
Complete Guidelines for entering the 2020 Contest, which is free, are given here. We look forward to receiving your haibun entries this autumn and early winter.
It is unusual to use Japanese language for the title of a posting, but this is a Japanese language book! For those of you who cannot read Japanese, the title says “Inupiat Lessons”, taken, with permission, from Doris Lynch’s Genjuan Haibun Contest 2015 Cottage Prize-winning haibun reproduced in Jap. trans. on page 22 of the book. It is about her experiences while living in Kivalina, in northwest Alaska. The original English haibun was reproduced on p.10 of the recent Genjuan anthology, “From the Cottage of Visions“. The new 176-page book is basically a Japanese translation of the earlier English language book, pub. by Hailstone. It has been translated and edited by Hisashi Miyazaki with assistance from Stephen Henry Gill and Nenten Tsubo’uchi. It includes new greetings/foreword by the Contest’s two founders, Nobuyuki Yuasa & SHG (Tito), a new afterword by NT, and an augmented overview of haibun history can be found within HM’s new appended Commentary. This is an attempt to awaken the interest of Japanese readers in haibun, which, as a literary form, although of Japanese origin, has in recent decades mainly been developed overseas. It is fascinating to see what foreigners have made of a Japanese genre. The obi (yellow paper band wrapped around the book) says enticingly, “Haibun? What is that?” (NT).
The book was published in April 2019 by Zonomori Press 像の森書房 in Osaka. It is available from Amazon Japan here or from Hailstone here . It costs ￥1,500 if you buy it at a Hailstone seminar or event or in a bookshop in Kansai. It might be of interest to some Japanese readers to compare the original English found in “From the Cottage of Visions” with the Japanese text in “Inupiat Lessons”. Please support this project, financed largely by donation, including one from Hailstone. Get your copy while they last!
The results of the 8th Genjuan Haibun Contest are as follows. It was a good year for Canadian writers! We received 94 entries from a record 19 countries this year. Our gratitude goes to all entrants and congratulations to the awardees. We also wish to thank our new judge, Toru Kiuchi, for his hard work and insightful remarks. The five prize-winning 2019 entries have now been posted to the Icebox on a separate page (find orange link at top right). Hopefully you will enjoy them as much as the judges did.
Memories of a Coal-Miner’s Grandson Bryan D. Cook (Canada)
An (Cottage) Prizes
Wigan Flash Judy Kendall (UK)
Come and See Sean O’Connor (Ireland)
White Out Marcyn Del Clements (USA)
Seeing in Darkness ..Branko Manojlovic . (Serbia/Japan)
House of the Sun Jeff Doleman (USA)
An Aura Diana Webb (UK)
Food for Thought Ignatius Fay (Canada)
The Beggar near the Palma Cathedral Joan Prefontaine (USA)
Cherries Terry Ann Carter (Canada)
Judges: Toru Kiuchi, Stephen Henry Gill, Hisashi Miyazaki
Three more weeks till the deadline for entries into this year’s Genjuan International Haibun Contest. Details here. The office is usually lenient with entries arriving a few days late. The three judges include newly-appointed Toru Kiuchi, Vice Director of the International Division at the Museum of Haiku Literature. They will read your works without knowing authors’ identities and will be looking for haikai style, best understood by reading examples. Check out our haibun pages through the page links at top right. Click the hailstones ‘Icebox’ header photo to return to this top page anytime. Good luck!
The Genjuan Contest office is now open to receive your submissions for 2019. Closing deadline will be 31 Jan. (although a day or two beyond is usually OK).
Last year, three of four judges were based in Japan, with Angelee Deodhar, giving us her gifted support from India. With Angelee’s sudden passing and the retirement of emeritus judge, Nenten Tsubo’uchi, we decided to ask Toru Kiuchi to join us as judge this year. We were delighted when he accepted the appointment. He is a former Professor of English at Nihon University, Vice Director of the International Division at the Museum of Haiku Literature, Tokyo, as well as author of the recently published book, American Haiku: New Readings (Lexington Books). We welcome him to the role and give a deep bow to Nenten for all he has contributed to the Contest.
The rules remain the same as last year. How about entering a piece or two? There are real prizes, certificates and judges’ comments for the winners, and it’s free! Address of our officer, Eiko Mori, and other details are given in the Genjuan 2019 Guidelines .
Finally, it is worth mentioning again that the Genjuan Contest Decorated Works 2015-17 anthology, complete with judges’ comments and examples of contemporary Japanese haibun, was published by us earlier this year. The pale green book with a painting by Buson on its cover is entitled, From the Cottage of Visions. Details of how to order are give on our Publications page, too.
For those planning to take part in next year’s Genjuan International Haibun Contest, we are very sorry to have to announce that our colleague Angelee Deodhar, one of India’s foremost haiku poets, passed away quite suddenly on June 28 in Chandigarh. She had been in recent correspondence with us, not only about the Contest and publications, but also about a planned visit to Japan next spring. Those of us who have worked with her at the Cottage of Visions are greatly saddened. She made a splendid contribution to English haibun, by editing the epic ‘Journeys’ anthology series and helping to judge the Genjuan, yet she herself always remained modest, tactful and warm. She signed off her letters, to me at least, with the phrase, ‘Love and light’ …
This graciousness will surely continue to be felt and cherished. Our thoughts are with her family and close friends at this time.
It is appropriate to share what she had apparently once referred to as her 辞世 jisei, or death verse:
so smooth now
against callused feet
.. From the Cottage of Visions, a compilation of the awarded works from the Genjuan International Haibun Contest 2015-17, was published at the end of May. 112pp, A5 size, 37 haibun from around the world, some written by Japanese, judges’ comments, a potted history of Japanese haibun, 4 illus. by Buson & Taiga, ￥1,300 (U.S.$13 incl. p&p).
.. This week, we will honour our commitment to all entrants of the Contest during those three years and airmail more than 100 free copies worldwide (photo shows Officer, Eiko Mori, and assistant, Teruko Yamamoto, doing the addressing!). Entry to our Contest remains free, but we have no wealthy sponsors. So, how have we managed to do this charitable act for all these years? The answer is threefold: some judges have made occasional donations, all labour is done in a spirit of volunteerism, and we have diverted some of the profits made through sales of other Hailstone publications (including Meltdown, Persimmon and our previous Genjuan anthology 2012-14) into covering some of our printing costs. We would certainly like you to buy a copy if you can! The book can be ordered through the channels outlined near the bottom of our Publications page.